
Sound-centered theater piece with voice, movement, and composition
609 is presented here as a sound-centered theater work rather than a band or DJ set. The piece is shaped by ecofeminist world-building, magical realism, and Alexis Pauline Gumbs’s idea of listening as a transformative practice, so it sits closer to contemporary performance and vocal composition than club music.
On Bandcamp, the project describes SHREDS as a second strike and frames it like a ritual dagger.
Plan Le Guess Who? 2026 with Songpot · Ask about 609 in ChatGPT or Claude